Neo-colonialism is a crucial topic often discussed in international politics, economy, and literary studies. World War II and the end of official/physical colonialism have led to new strategies practiced by the imperial powers in international relations to continue their former colonial legacy and expand further the area of their interest. They never left their legacies in the former colonies but strived to pursue their exploitive desires under various guises.

Neo-colonialism and literature may be closely associated because they reflect social, economic, and political characteristics simultaneously. This book defines and exemplifies neo-colonialism in literature through Graham Greene, who illustrates the workings of neo-colonialism in formerly colonized countries through his novels that blend reality with fiction.

In the perusal of the Irish literature, we see that the strength of this conservative instinct has been of the greatest service in the preservation of the early monuments in their purity. So much is this the case, that in many tales the most flagrant contradictions appear, the author or scribe being unwilling to depart at all from that which he found handed down. For instance, in the “Great Breach of Murthemney,” we find Laeg at one moment killed, and in the next riding black Shanglan off the field. From this conservatism and careful following of authority, and the littera scripta, or word once spoken, I conclude that the distance in time between the prose tale and the metrical originals was very great, and, unless under such exceptional circumstances as the revolution caused by the introduction of Christianity, could not have been brought about within hundreds of years. Moreover, this same conservatism would have caused the tales concerning heroes to grow very slowly once they were actually formed. All the noteworthy events of the hero’s life and his characteristics must have formed the original of the tales concerning him, which would have been composed during his life, or not long after his death.

Oğuzcanın macerası, Mahmûd el-Kâşgarî’nin söylediği “Dillerin en hafifi Oğuzlarınkidir.” cümlesinden El-Kâvânînü’l-Külliye li Zabti’l-Lügati’tTürkiyye’dekayıtlı olan “Türkmence Türkçe değildir.” cümlesine ulaşacak kadar farklı mecralarda vuku bulmuştur. İşte bu çalışma “Türkmence Türkçe değildir.” denen dönem ve coğrafyadaki, yani Memluk Kıpçak Türkçesinin hâkim olduğu dönemdeki Oğuzcanın macerasını içermektedir.