The book in your hands aims to give an opportunity to make a comparison of Western and Eastern literatures in terms of the literary products discussed in this study. The book starts with a brief introduction about comparative studies in the world and in Turkey. Readers will find examples from English, American and Turkish literature. Katherine Mansfield’s The Garden Party and Said Ertem’s Bacayı İndir Bacayı Kaldır is analysed from Luis Althusser’s perspective. A comparative study of American Ernest Hemingway’s short story, Hills Like White Elephants and Turkish Memduh Şevket Esendal’s Gece Kuşu by means of stylistic method is given. It is also intended to analyse William Butler Yeats on the one hand and on the other hand one of the sultans of the Ottoman Empire, Suleiman the Magnificent by comparing them through the books Her şey ayartabilir beni and Muhıbbî Divanı.

Sylvia Plath and Nilgün Marmara… Two female poets of distinct geographies, cultures, societies and periods followed a life with distinct sufferings and scars, but they produced similar poetries with the same wish and outcry for death. And in the end, both poets said their last words in the face of life through suicide. Indeed, there is this passionate bridge between these two poets since Marmara was a keen admirer of Plath’s poetry and art.

And today, standing on this very bridge, this book renders a detailed comparative reading and analysis on their poetry within the context of the psychoanalytical perspectives to death and self-destruction. Through the psychoanalysis of their poetical lines that are intermingled with pains and traumas centered around the obsession of death and self-destruction, this book traces and unearths the mutual poetical mechanisms of the unconscious and the human psyche that turn the poetry of both poets into ‘art of dying’ as in the wording of Plath and ‘swan songs’ as in the wording of Marmara. Psychoanalyzing their poetic personas in their ‘art of dying’, this book highlights how Plath and Marmara became both the victims and the victors of their ‘swans songs’ via various psychological scars and existential dilemmas.