This book examines how Mary Shelley’s Frankenstein, H. G. Wells’s The Island of Dr. Moreau, and Aldous Huxley’s Brave New World represent groundbreaking milestones in British apocalyptic literature, urging readers to recognize their lasting significance and influence. It illustrates how developments in science and technology from 1818 to 1932 bring humanity closer to a fictional apocalypse. Using this idea as a starting point, this book discusses how the hubris inherent in individuals pursuing scientific and technological advancements in the name of perfection is a mere pretext under which the true power dynamics are hidden, ultimately leading to an inescapable apocalypse. In these novels, the potential for apocalypse is revealed through the ‘mad scientist’ trope, which is closely tied to advancements in science and technology. It is this trope that accelerates the impending apocalypse through uncontrollable scientific experiments or a deep yearning for absolute power, both of which are what totalitarian ideologies require. In either case, at the core of these concerns lies one central idea that this book emphasises— the renunciation of humanity’s security and peace in exchange for much power by the powerful.

In today’s digitalized world, it has become easier and faster to access knowledge. In university education, especially in academic writing courses, it is vital to access knowledge in order to keep up to date and produce quality writing. However, if knowledge sources are not acknowledged correctly, a serious problem which hinders the development of knowledge arises: plagiarism. This book explores the extent to which university students are aware of plagiarism and offers ways to raise awareness and avoid it. For this purpose the book presents a study which offers a practical method to apply in academic writing classes in order to change students’ plagiarizing behavior. The purpose of the book is to show that it is possible to change students’ plagiarizing behavior if a systematical approach is followed