This book presents a vivid portrayal of an apocalyptic and catastrophic future, focussing on the consequences of humanity’s misuse of natural resources through the lens of ecocriticism. Compromising ten chapters, the book explores the concept of the ecological crisis as depicted in contemporary literature, particularly in novels and theatrical plays. The chapters feature works from British, American, and Canadian literature by scholars offering fresh perspectives on ecocriticism. Each part examines humanity’s survival stories set in contemporary contexts, often within the genres of science fiction and apocalyptic fiction, serving as warnings about a potentially devastating future. The book underscores the catastrophic outcomes and potential of chaos that could arise from humanity’s exploitation of natural resources. As the chapters unfold, these diverse scholarly contributions raise awareness of a global issue while illuminating the interconnected fates of nature, society, and humanity underscoring the urgent need for change before this impending crisis becomes a harsh reality.

At the beginning of the 20^th century, a significant mystery for researchers in fields such as archaeology, history, linguistics, and theology began to unravel with the discovery of Manichean written records in Central Asia and Upper Egypt. While Manichean texts were composed in various languages, the largest body of religious writings was primarily in Middle Iranian languages. Following Bögü Kagan’s conversion, many of these texts in Central Asia were translated into Old Uyghur, predominantly from Middle Iranian sources. This study explores the origins of the Manichean script and provides a comparative analysis of its development and paleographic characteristics across Parthian, Middle Persian, Sogdian, and Old Uyghur. Additionally, evaluations of certain paleographic features in the Manichean script have been incorporated into the study.