The question, ‘Who should teach courses in English for Specific Purposes (ESP)?’ has been a matter of controversy for decades in the field of English language teaching (ELT). However, in the course of time, there has appeared to be a consensus on allocating the responsibility of teaching ESP courses to English teachers due to their overwhelming success in teaching practice in comparison to content experts. In fact, the success of ESP teachers appears to rely on the five key roles identified by Dudley Evans and St. John (1998) who called them ‘ESP practitioners’, which are the roles of a teacher, a researcher, a course designer, a material provider, a collaborator and an evaluator. In this book, you will find a compact pack of how to become ‘an ESP practitioner’ by following the footsteps of the leading researchers in the ESP literature. Besides, it is the responsibility of ESP practitioners at tertiary level education to catch up with the needs and mindset of the generation Z individuals via technology-integrated pedagogical strategies as is the case with one of the recent blended learning approaches, the flipped learning approach. Thus, in this book you will also find the elements of creating a flipped learning environment, relying on the related literature on how to become a flipped learning practitioner. On this basis, driven by Dr İlter’s doctoral dissertation, ‘Developing ESP Courses in the Flipped Learning Environment’ is relied on an evidence-based literature review concerning the flipped learning perspective in ESP practices in EFL settings. It is hoped that this review will satisfy an existing need in the ESP field by suggesting the flipped learning strategy as an alternative to benefit from in the design and implementation processes of developing an ESP course at a tertiary level EFL setting.

The book, which started its journey as a research article but later turned into a book, examines the educational problems experienced in the Music Departments of Fine Arts High Schools in Turkey through the views of the music teachers working in this school in a provincial city and discusses the results with a generalizable approach, mainly from the perspective of music teaching. Although Fine Arts High Schools have been extensively studied in the music education literature, studies focused on the problems experienced in these schools are quite limited. The data of the study were obtained from a single study group instead of a sample selected from the population. Some problems are strongly related to the socio-cultural and socio-economic variables surrounding the school. These two justifications should be interpreted as the results are not generalizable. However, it should be emphasized that some of the results obtained in this study regarding common and non-intervening elements for all Fine Arts High Schools in Turkey such as the criteria for appointment of administrators, teacher-student selection method, curriculums, and textbooks may be generalizable. In this context, the study is considered important in terms of drawing attention to the current problems experienced in these schools and providing results that will help to make a comparison between the school where the research was conducted and other Fine Arts High Schools.