The Herbart school adheres to this view of education, and has transferred its spirit and method to the schools. The Herbartians have the hardihood, in this age of moral skeptics, to believe not only in moral example but also in moral teaching. (By moral skeptics we mean those who believe in morals but not in moral instruction.) They seek first of all historical materials of the richest moral content, in vivid personification, upon which to nourish the moral spirit of children. If properly treated, this subject matter will soon win the children by its power over feeling and judgment. With Crusoe the child goes through every hardship and success; with Abraham he lives in tents, seeks pastures for his flocks, and generously marches out to the rescue of his kinsmen. He should not read Caesar with a slow and toilsome drag (parsing and construing) that would render a bright boy stupid. If he goes with Caesar at all, he must build an agger, fight battles, construct bridges, and approve or condemn Caesar’s acts. But we doubt the moral value of Caesar’s Gallic wars. By reading Plutarch we may see that the Latins and Greeks, before the days of their degeneracy, nourished their rising youth upon the traditions of their ancestry. The education produced a tough and sinewy brood of moral qualities.

The book, which started its journey as a research article but later turned into a book, examines the educational problems experienced in the Music Departments of Fine Arts High Schools in Turkey through the views of the music teachers working in this school in a provincial city and discusses the results with a generalizable approach, mainly from the perspective of music teaching. Although Fine Arts High Schools have been extensively studied in the music education literature, studies focused on the problems experienced in these schools are quite limited. The data of the study were obtained from a single study group instead of a sample selected from the population. Some problems are strongly related to the socio-cultural and socio-economic variables surrounding the school. These two justifications should be interpreted as the results are not generalizable. However, it should be emphasized that some of the results obtained in this study regarding common and non-intervening elements for all Fine Arts High Schools in Turkey such as the criteria for appointment of administrators, teacher-student selection method, curriculums, and textbooks may be generalizable. In this context, the study is considered important in terms of drawing attention to the current problems experienced in these schools and providing results that will help to make a comparison between the school where the research was conducted and other Fine Arts High Schools.