Turkish is one of the major languages in the world spoken by hundreds of millions of people in Europe and Asia. It is the official language of Turkey. Although many people study Turkish either in Turkey or abroad today, there is not a dictionary especially compiled for learners of Turkish as a foreign language. This dictionary has been produced to meet such a need. Therefore, it is more of a learners’ dictionary whose primary aim is to help students of Turkish who not only try to understand but also produce the language.

Turkish is a rich language with more than a hundred thousand words. Learners’ dictionaries are not expected to cover all the words for practical reasons because ordinary people or the educated for that matter normally use no more than a few thousand words. This dictionary covers most frequently used 4456 words. A clarifying sample Turkish sentence is provided together with its English translation for each meaning. These sample sentences are invaluable in that they help the learner to see the syntactic properties of words in addition to their denotations.

Drawing on recent posthumanist theories that promote a non-anthropocentric perspective, this study examines the works of contemporary British poets Mario Petrucci and Alice Oswald. It is argued that their poetry can be described as posthuman poetry, which envisions posthuman spaces of becoming where human and nonhuman worlds coexist on a non-hierarchical basis. Petrucci’s engagement with ecocritical crises in the Anthropocene underscores the limits of human agency, and it foregrounds destructive impact of human actions on the ecosystem. In a posthuman context, therefore, Petrucci problematises the human/nonhuman binary by representing the erosion of the anthropocentric worldview in the face of environmental crises such as deforestation, global warming, and the Chernobyl nuclear disaster in Bosco (1999), Heavy Water: A Poem for Chernobyl (2004) and Half Life: Poems for Chernobyl (2004). In these collections, challenging the perception of nonhuman matter as passive, Petrucci emphasises the agency of trees and radioactive particles. Similarly, Alice Oswald moves the reader beyond the human-centred treatment of the natural world. Rejecting human exceptionalism, Oswald’s Dart (2002) presents a polyphonic meshwork where the voices of alternating human speakers and the River Dart interweave within a posthuman space. Representing the intersubjective and dialogic exchanges between the human and nonhuman inhabitants of the Severn Estuary and the lunar cycle, Oswald’s A Sleepwalk on the Severn (2009) further problematises the subject/object binary by creating a posthuman space of becoming grounded in a communicative framework. Hence, bringing Petrucci and Oswald together, this study draws attention to trans-corporeal and polyphonic entanglements of human-nonhuman, subject-object and self-other non-binaries, and it aims to show how poetry, as a literary medium, can contribute to questioning and transforming the anthropocentric vision of humankind in the contemporary world.