The Herbart school adheres to this view of education, and has transferred its spirit and method to the schools. The Herbartians have the hardihood, in this age of moral skeptics, to believe not only in moral example but also in moral teaching. (By moral skeptics we mean those who believe in morals but not in moral instruction.) They seek first of all historical materials of the richest moral content, in vivid personification, upon which to nourish the moral spirit of children. If properly treated, this subject matter will soon win the children by its power over feeling and judgment. With Crusoe the child goes through every hardship and success; with Abraham he lives in tents, seeks pastures for his flocks, and generously marches out to the rescue of his kinsmen. He should not read Caesar with a slow and toilsome drag (parsing and construing) that would render a bright boy stupid. If he goes with Caesar at all, he must build an agger, fight battles, construct bridges, and approve or condemn Caesar’s acts. But we doubt the moral value of Caesar’s Gallic wars. By reading Plutarch we may see that the Latins and Greeks, before the days of their degeneracy, nourished their rising youth upon the traditions of their ancestry. The education produced a tough and sinewy brood of moral qualities.

The art of teaching grew up in the schoolroom, out of inventiveness and sympathetic concrete observation. Even where (as in the case of Herbart) the advancer of the art was also a psychologist, the pedagogics and the psychology ran side by side, and the former was not derived in any sense from the latter. The two were congruent, but neither was subordinate. And so everywhere the teaching must agree with the psychology, but need not necessarily be the only kind of teaching that would so agree; for many diverse methods of teaching may equally well agree with psychological laws.

To know psychology, therefore, is absolutely no guarantee that we shall be good teachers. To advance to that result, we must have an additional endowment altogether, a happy tact and ingenuity to tell us what definite things to say and do when the pupil is before us. That ingenuity in meeting and pursuing the pupil, that tact for the concrete situation, though they are the alpha and omega of the teacher’s art, are things to which psychology cannot help us in the least.